Studios

Double N Media

Lindsay Hartmann·Atlanta, Southeast

Woman in a dark green short-sleeved top sitting on a cream sofa, holding a camera, with an olive tree in a white pot visible behind her. Double N Media — Atlanta, Southeast.

Lindsay Hartmann, photographed for The Grand Moment Journal

Twelve years behind the camera, and the work that lands hardest still happens after the wedding is over. A table. Snacks. Favorite drinks. A few photographs already printed and matted, waiting to be held. Lindsay Hartmann built Double N Media in Atlanta on the premise that a photograph is not the point. The day is the point. The photograph is what survives it. She came up in sports and journalism, said no to weddings on principle, and changed her mind the first time she actually worked one. She sat down with us for a long conversation about candid work, the reveal celebration she designs for every couple, and what it means to be in the hard years on purpose.

Walk us through how Double N Media came to be.

My photography journey started in sports and journalism in college. I originally didn't want to be a wedding photographer. Too much stress and pressure. After I graduated, a friend asked me to help her photograph a wedding. I had an absolute blast and I was hooked after that.

Not only did I realize wedding photography was a combination of a bunch of photography genres I really enjoyed, but I also loved the trust and vulnerability the couple shows their vendors. It's really amazing to be allowed to witness one of the most emotional days of their lives. Getting to preserve those memories for them to look back on long after the day has passed is incredible.

A bride with long wavy hair and a strapless white gown embraces a groom in a black tuxedo and bow tie, holding a bouquet of white roses and baby's breath in a stone courtyard. Double N Media — Atlanta, Southeast.
Double N Media — Atlanta, Southeast

You describe the signature as people actually getting to feel their day. What does that look like on a Saturday?

I'm focused on creating space for real moments to happen naturally. I lean more toward candid, emotionally driven photographs. I love movement, real reactions, interesting light, and finding creative ways to tell the story without making the day feel like a production. The goal is always photos that feel like you, not photos that could belong to anyone.

A bride and groom embrace beneath tree branches illuminated with purple lighting against a dark night sky. Double N Media — Atlanta, Southeast.
Double N Media — Atlanta, Southeast

There's a tension a lot of photographers don't resolve well, between guiding the couple and getting out of the way. How do you sit in that?

The couples I work with want beautiful photos, but they also want to actually enjoy their wedding day. They don't want to spend hours being posed or feel like they're performing for the camera. Thorough my experience, I think I've found the balance between honesty and intention. I know how to guide people when needed, but I'm just as focused on reading the room, paying attention to energy, and documenting moments as they naturally unfold.

Two grooms kiss at the center of a dance floor surrounded by guests holding illuminated foam light-up batons in multicolored light, with draped fabric walls and a historic ballroom interior visible behind them. Double N Media — Atlanta, Southeast.
Double N Media — Atlanta, Southeast

Tell us about the reveal celebration. That's not a standard part of the job.

It's not standard but it's one of my favorite things to do with my couples. We meet up after the wedding, enjoy some snacks and their favorite beverages, and we view all their wedding photographs together and relive the wedding day. I have a few photographs printed and matted for them and we also design their wedding album together to make sure it's perfect. I love getting to see their reactions to the photos in real time and share our favorite memories from the day.

A groom in a dark suit and bride in a white wedding dress embrace on a rooftop at night, with an illuminated city skyline and lit skyscrapers in the background. Double N Media — Atlanta, Southeast.
Double N Media — Atlanta, Southeast

You said you're in the hard years right now. What are they teaching you?

I have recently taken my wedding photography business full time and I'm still learning how to balance creativity, client experience, marketing, and the behind-the-scenes work. It's teaching me to rely on others for support and ask for help when I need it. I genuinely love what I'm building and the people I get to work with along the way.

A groom in a gray suit and bride in a white wedding dress embrace on a wooden dock over still water, with string lights and black chain railings framing the scene and green foliage in the background. Double N Media — Atlanta, Southeast.
Double N Media — Atlanta, Southeast

What is the celebration industry getting wrong right now?

I think something the celebration industry gets wrong is the idea that weddings are something people have to do and do a certain way. There's so much pressure around what a wedding should look like, how much money should be spent, or how it's perceived by strangers on social media.

I think the industry doesn't talk enough about giving couples permission to create a day that actually feels aligned with who they are instead of performing for expectations. Whether that's a big celebration with a ton of people, more intimate with just the couple, or something in between, there's no right or wrong.

Woman in a white lace wrap dress standing against a tan stucco wall with dappled tree shadows. Double N Media — Atlanta, Southeast.
Double N Media — Atlanta, Southeast

On a good day, what does this work mean to you?

What makes me happiest about this work is being able to use the gifts God gave me as a photographer and my experience to help people feel comfortable and fully present on their wedding day. Many couples planning their wedding day feel nervous about being in front of a camera, and I love creating an environment where they can relax, be themselves, and actually enjoy the day as it's happening.

I also don't take lightly the fact that these photos become part of a family's history. I get to preserve not just what the wedding day looked like, but how it truly felt. The emotions, the energy, the people who were there, and the little moments that may otherwise fade with time. Knowing these images will be looked back on years from now, not only by the couple but by future generations too, is something that means a lot to me and makes this work incredibly fulfilling.

Groom in navy blazer and bow tie lifted on shoulders by groomsmen in dark suits beneath bare trees against blue sky. Double N Media — Atlanta, Southeast.
Double N Media — Atlanta, Southeast
Four women in lavender bridesmaid dresses react with excitement while watching a bride in a beaded white gown enter through a mirror-lined dressing room in a bridal suite. Double N Media — Atlanta, Southeast.
Double N Media — Atlanta, Southeast
A groom in a white tuxedo jacket and bow tie sprays champagne while laughing beside a bride in a beaded strapless white gown at an outdoor garden reception near a stone wall. Double N Media — Atlanta, Southeast.
Double N Media — Atlanta, Southeast
Photographer in black dress with camera photographs a bride and groom at a stone ruins venue with pink flowering shrubs and bare trees. Double N Media — Atlanta, Southeast.
Behind the scenes — Double N Media

IX

Investment

  • $2900-$6000 Customized for each couple